The Automatik

Endearing Records, Ductape Records

Since many of today’s cool kids seem to have spent more time reading The Hipster Handbook than learning enough about music to do something other than name-drop, it’s delightful to hear the endearing tunes of The Meligrove Band. The musicianship on this album is obvious; they’ve skyrocketed past the cute silliness of their earlier material without losing any of their charm.

It’s their earnest urgency that impresses me, though. They love music and they prove it through an uplifting sincerity not normally found in pop music, at least not the kind we’re subjected to in the States (this trio of talent hails from Mississauga, Ontario). Produced by Stephen Pitkin, the fantastic drummer of the also-fantastic (and Canadian) pop combo The Flashing Lights, Let it Grow is an apt title for an album that is both instantly infectious and consistently entertaining.

The Beach Boys damage is apparent, but hey, who hasn’t been influenced by Pet Sounds? The Meligrove Band grasp Brian Wilson’s forward-thinking style and pristine production values better than many who feign admiration. These songs burst forth with equal parts whimsy and heart, even when tinkly xylophones and whistles come to the fore (Do I detect tambourines? Be still my heart!). I haven’t heard a pop album be more rock and roll, yet still touching and significant, in nearly a decade. I’m continually moved by the gorgeous harmonies in “Before We Arrive” as well as the sweet and tender sentiments of “Really, Really, Really.”

Of course there’s plenty of full-on rocking to be found throughout the album, like the kick-ass opener “Monkey Mask” (which loses none of its potency for lack of lyrics) and “Take Me to the Sun.” If this album is any indication, things are definitely looking up for The Meligrove Band. In fact, I see a big fat star in the sky right now and I’m certain it’s got their name on it.